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One's relationship to light, color, and form transcends the syntax of accepted linguistic and artistic grammars. What we know about light is evolutionarily ingrained in our psyches. We wake up and check for sun. On an evening stroll, it is usually preferable to have some sort of illuminated strata of cloud, moon, or stars overhead heightening our path. Painting acts as a similar ceiling structure for us, as it recreates light (in the same way the mind creates luminosity when we dream at night) that our subconscious can touch and toggle. My canvasses are filled with multiple and scrambled sources of color and form, as I seek, through my paintings, to both invoke primal responses to the light already inherent in our minds and to encourage that the viewer choose his or her own way of interpreting the miasma of creation.
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